INVISIBLE COMIC RESEARCH WORKSHOP
The Invisible Comic Investigation Workshopis the Research Group originated from the UFC Comics Workshop. The group, which involves undergraduate and graduate students, is coordinated by Professor Doctor Ricardo Jorge de Lucena Lucas and aims to discuss the potential of comics as an object of research in the field of Communication and related areas and as a form of artistic, media, academic expression, etc. Activities began in 2019, with the event Cycle of Debates in Comics, held monthly with the presence of researchers and professors from different areas (Communication, Journalism, Advertising, Law, Cinema, Sociology, etc.). At the same time, the group reflected the participation of undergraduate and graduate students in thematic events, such as the International Comic Book Conference (ECA-USP).
RESEARCH PROJECTS UNDER DEVELOPMENT
The Emptiness in the Discontented World of Inio Asano: An Analysis of the Manga Good Night Punpun (summary🇧🇷
Amanda Venancio Fontenele | Master in Communication |lattes🇧🇷 amanda.vfontenele@alu.ufc.br
Endless Stories: The Narrative Construction of Cinematographic Universes (summary🇧🇷
Antonio Davi Delfino Ferreira | PhD student in Communication |lattes🇧🇷 dvferreira01@gmail.com
Comic Monstrosity: A Semiotic Analysis of My Favorite Thing Is Monsters (summary🇧🇷
Felipe Lima Rodrigues | PhD student in Communication |lattes 🇧🇷 felipelima2005@gmail.com
The influence of manga on the construction of humor in comic strips by Brazilian authors (summary🇧🇷
Francisco Lucas Castro de Almeida Junior | Graduating in Communication |lattes🇧🇷 lucascastrodealmeida@gmail.com
Under the sign of Capricorn: experiences with autobiographical comics (summary🇧🇷
Gabriel de Oliveira Monte | Master in Arts |lattes🇧🇷 gabrielmonte90@gmail.com
Comic in motion: how the postmodern imaginary influenced the transcreation of the film “Spider-Man in the Spider-Verse” (summary🇧🇷
Karine Felipe Oliveira | Master in Communication |lattes🇧🇷 karinefelipe@alu.ufc.br
Does it have post-credits scenes? Proposal for typological classification and analysis of the resource in cinema (summary🇧🇷
Luan Barbosa de Carvalho | Master in Communication |lattes🇧🇷 luantdr@gmail.com
Opening as a narrative resource: semiotic analyzes of co-creative manifestations in comics
Lya Brazil Calvet | Master in Communication |lattes🇧🇷 lyabcalvet@gmail.com
Parallel worlds: the role of image in the construction of superhero multiverses (summary🇧🇷
Márcio Moreira dos Santos Filho | PhD student in Communication |lattes🇧🇷 marciomoreirasf@gmail.com
The construction of objectivities and subjectivities in Joe Sacco's comic journalism(summary)
Maurício Xavier Silva | Master in Communication |lattes🇧🇷
Being-and-not-being, that is the question: comics as a device for memorial narratives (summary🇧🇷
Pedro José Arruda Brandão | PhD student in Communication |lattes🇧🇷 pedrosfjose@gmail.com
Time and Space in factual comics (summary🇧🇷
Ricardo Jorge de Lucena Lucas | PhD in Communication |lattes🇧🇷 ricardojorge@ufc.br
Videogames and their media intersections (summary🇧🇷
Soraya Madeira da Silva | PhD student in Communication |lattes🇧🇷 sorayamadeira@ufc.br
Black representation and the narrative aspects of Killmonger:
how a villain manages to generate the identification of black people through the movie “Black Panther” (summary🇧🇷
Tamara Lopes de Sousa | PhD student in Communication |lattes🇧🇷 tamaralopes@alu.ufc.br
The narrative of everyday life in the cinema of Abbas Kiarostami and in the manga of Jiro Taniguchi
Thiago Henrique Gonçalves Alves | Master in Communication |lattes🇧🇷 thiagosenaufc@gmail.com